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HONE Continues While Mr. Darcy Pitches a Fit

January 23, 2011 4:31 pm by Ebony in HONE, Long Arm, Mr. Darcy

This week, I decided to tackle a technique that’s been vexing me and evading my understanding for months: ruler work! When I was at the Houston show, hanging out in the Handi Quilter booth, I started playing with the new rulers they had come out with.  And you know what I discovered?  I absolutely suck at ruler work!  And you know what else?  I bought some anyway! I think actually I may have an obsession with rulers, because I keep buying them, and they just collect in a drawer.  I should point out – long arm rulers are different from quilting rulers; rulers for the long arm are 1/4″ thick at least, so that the hopping foot doesn’t “hop” on the ruler and break something important.  I know some quilters who have run over their 1/4″ rulers anyway (myself included) but it doesn’t happen often. Sure is scary because the needle does NOT break! Besides the special rulers, you also need an extended base for your machine to help support the ruler.  I don’t have a picture of mine but you can look at it on the Handi Quilter website: You need rulers to do stitch in the ditch (SID), and also whenever you need to do circles or arcs or anything where precision is necessary.  Well, if I had the computer module on my machine, I wouldn’t need rulers at all because I could just make the machine do it, but I like the challenge of learning this skill on my own.  That’s what HONE is about. If you are sending your quilts out to a long arm quilter, you can expect to pay a premium for ruler work.  It is definitely a skill to be developed, and requires additional tools to support it.  In addition, ruler work is SLOW work.  You can’t go zipping across the quilt when you’re using rulers; you have to slow down, focus on about 4-6″ ahead of the needle at a time, and there are a lot of stops, starts, and adjustments.  If you just have a few block outlines it probably won’t add too much to the cost, but if your quilt is nothing but crosshatching and SID, that’s going to cost more than an edge to edge design. At the end of December, I had finished piecing 4 quilts made from a Moda layer cake, and since I have 4 nearly-identical quilts, I thought it would be fitting to use one of them to practice with. The rulers I employed included a serpentine ruler, 2 sizes of circles (4″ and 8″) and the Handi Versa Tool for stitch in the ditch. The first thing I did was use the serpentine ruler to create a spine for some swirls I planned around the outer border.  Then I used the circles in some of the blocks, and finally I did stitch in the ditch work.  On the back of the circle templates, I sprayed them with 404 Repositionable Adhesive to make sure they didn’t move, but I didn’t do the same for the other two rulers.    Part of the reason for that is that for circles to be perfect, they can’t be shifting around, but for serpentine & SID, you sometimes need to adjust the ruler a bit to follow the seam or fit to an area. The key to ruler work is all about the right pressure: the pressure of your hand holding the ruler, and the pressure of your other hand guiding the machine.  It takes a lot of coordination!  If you press down on the ruler too hard – the machine can’t move, but if you don’t press down hard enough, the ruler will shift.  Likewise, if you push or pull the machine too hard against the ruler, you’ll move the ruler, but if you don’t push or pull hard enough, the machine won’t follow the ruler and you’ll get some crazy looking lines.  It’s a fine balance because you don’t want hand cramps either. I actually trained myself to use the right amount of pressure by buying a ruler with handles. With this ruler, I was focused so much on gripping the handles between my fingers, that I didn’t press down too much and was able to balance the pressure.  When I switched over to the rulers without handles, I got the hang of it pretty quickly.  It’s funny to think on it now, that I was so scared to use rulers before and now I can’t wait to do another quilt that needs ruler work! Since this quilt is a disappearing nine patch with 9.5″ center blocks, I took it as an opportunity to practice different stitches in each area.  I also had a thought that instead of doing the small block samplers from Leah’s 365 Days of Free Motion, I could practice some of her designs on Mr. Darcy.  I started out with this circle: On the inside edge, I used Swirling Petals, and added some swirls on the inside and outside.  I don’t like the inside swirls as much – I could have planned them better, but I did like the petals. Here is the next circle I did: I know the inside is hard to see, but it’s a variation of Bubble Path Spiral.  I say “variation” because my path isn’t a spiral, it meanders around quite a bit.  That was really fun to do.  On the outside of the circle I freehanded some feathers.  Those still need a lot of practice! They are more challenging than you might think. The next circle: This is Skeleton Flower on the inside, and on the outside I just freehanded some lightning bolts. The last circle: This is Wormholes on the inside, and then the Pebbles that I love so much to fill in the outside of the block.  Wormholes is a really fun quilting stitch to do too – I love the randomness of it. In the smaller circles, I used the same design, just wavy lines coming off the center and back again, it reminded me a bit of a sand dollar when I started, but I decided to fill it in a lot more.  As I stitched it, I was thinking about the hands of a clock, and I chanted as I stitched it: 12 o’clock, 6 o’clock, 3 o’clock, 9 o’clock… I filled the inside of the circle first, then on the outside, I made more little spikes, but when I came to another part of the block, I just took off in long wavy lines.  You’ll see that better in other pictures. The final design in the border was just an all over swirl in the vine.  I decided to add more texture to the swirls by adding 3 spiky points to them as I exited the spiral.  I don’t know if Leah has a design like this or not, I didn’t consult her designs for this one. Now, just as I was coming to the last half of the quilt, Mr. Darcy pitched a fit.  You see, he has several modes of sewing for stitch regulation, and the one that is critical for free motion is the one he just wouldn’t stitch in consistently.  I spent a half hour on the phone with his parents (Handi Quilter) and the verdict was that we needed to replace his brain.  Mr. Darcy isn’t fully computerized, but he does have quite a few computerized bits anyway, and there just seems to be a bug in his.  I was able to coax him into cooperating to finish the quilt, but it’s quite maddening to want to stitch something a certain way, and have him refuse to do so.  You will obey me, Darcy!!  Please? The last part of the stitching I want to point out is the SID.  You can’t really see it from the front (that’s the point) but on the back, it really sets off the blocks nicely: I am very pleased at how straight my lines are on this quilt, and I love how the blocks are set off.  The one thing I would probably change is to not have stitched the lines on the inside of the smaller circle.  It’s important to think about the quilting and how it will look both with and without block lines! Now here is the whole quilt from the front: And here it is from the back: Isn’t that just super fun?!?! To endless possibilities, Ebony

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The Last of the 2010 Projects

January 1, 2011 3:04 am by Ebony in Uncategorized

I tried, and tried, and tried, and tried… to finish up projects or get them significantly further along before the turning of the new year.  Here’s how I fared. CMQG Name Tags Back in June, my quilt guild had a sew-in project to work on pillowcases for ConKerr Cancer and a nametag project.  I decided to model my name tag after our logo (which is the Chicago skyline in fabric) and a couple of people liked it and asked me to make one for them.  Well I ended up with so many to do that I didn’t get to finish mine or my friend Vicki’s, so here they are:Oh Cherry Oh! Disappearing 9-PatchI went CRAZY buying Moda’s Oh Cherry Oh! line of fabric.  Every time I could find a fat quarter, or a jelly roll, or a charm pack, I bought it.  I found a layer cake & thought I’d died & gone to heaven.  My brilliant idea was to take the layer cake and make a couple of quilts – this was before I decided to buy Mr. Darcy (my longarm) so I liked to keep quilts under 60″ so I could still finish them on my table top machine.  Well, after I cut up the layer cake, I needed more yardage for the sashing, and more for the binding, and pretty soon, I had 4 quilts on my hand.  Well, I pieced all the tops, pieced all the backs, squared them up, and got them ready for quilting: I also made the binding for all 4 quilts – two will be bound in green and two in red.  I finished these so fast, I forgot to take progress photos! Art Quilt CoastersBack in 2009, I got a custom order for a wedding to make 100 art coasters (or sets, I can’t remember which) for a wedding, and I ended up having leftovers.  I finished up some yellow and purple sets – 18 total – and I think I’m done with these for a while: Gyleen’s Pineapple QuiltWhen I went to Quilt Market, I was helping Gyleen Fitzgerald in her Pineapple Quilt Exhibit, and purchased her book and new pineapple ruler.  While working on a video technique for the AccuQuilt strip cutters, I decided to make a sample block to demonstrate how to use these two tools together.  Well, now I have a pineapple quilt going! I really love this block but I worry that my obsession with symmetry will make this project unsustainable.  I might relegate this block to the back of the quilt & do a completely random scrappy one instead, but in the mean time, I have a new quilt project.  Double Wedding RingThis is a “leaders & enders” project for me – whenever I’m piecing another project, I’m working on this one at the same time, so progress on it was expected to be pretty slow.  That is, until someone requested that I do a video on it.  Well, I ended up completely re-doing the technique I was using for piecing, because I found it pretty frustrating to try to demonstrate it via video, given all the swearing and ripping I was doing.  The new technique gives a much better block, without set in seams, and you basically get the quilt to the point where you can sew it in curving rows. I ended up producing 4 new videos to cover it all – it was like doing a television series! Here’s how far I’ve gotten thanks to the video production:So I’m back to “leaders & enders” on this project, but I’m really glad to have gotten this far.  Unfortunately it also means a little bit of seam ripping on my Cothron Wedding Quilt so I can assemble them the same way, but I’m glad to know this project will be so much easier to piece now. Bargello Table ToppersRemember my insane Bargello project that generated almost 30 table toppers?  Well, that project is seemingly endless.  I did decide to railroad these onto Mr. Darcy using a single piece of backing and batting: I used it as an opportunity to use up the Warm & White batting that I don’t like very much anymore, and to practice several pantograph designs.  I used about 3 different designs across the 23 toppers that needed to be quilted still.  Next time I decide to railroad, WIDER is BETTER.  I was using up a bolt of 60″ muslin, but I would have been better off stitching them together & working with it in a 120″ wide section.  Why?  Well, when you’re railroading, you have to advance the quilt after every pass.  Since I could only fit 3 across on a 60″ width, I had to advance 8 times.  Had I used the 120″ width, I would have cut that in half, and it would have been a much better use of my 12′ machine.  So, lesson learned!!  I’m going to keep that in mind when I work on the Oh Cherry Oh! quilts; even though they have 4 separate backings, nothing is stopping me from stitching those together so I can railroad those 4 quilts too.  It makes sense for quilts that are going to have the same pattern or thread used, to railroad them on the frame. While I worked on these, I ended up having to splice the batting while it was on the frame: I overlapped old with new by about 4″, then I cut a wavy line through both layers (being VERY careful not to cut the backing too!)  Then I handstitched the two pieces together.  I normally don’t like seaming batting in the middle of a project, but for something small like a table runner or wall hanging, it’s not a big deal. When they were all done, I pulled them off the frame.  I think this came out to 60″ x 150″ – so the equivalent of a king sized quilt: I think they look cool railroaded like this, and it seemed a shame to cut them apart.  In any event, I did, and stitched all the binding onto the front (you’ll recall I made 54 yards of binding for these) so I could practice my machine stitching binding to the back. I decided to give my Martelli Binding Foot another go; I didn’t have much success with it before, but with so many bindings to do, I wanted to give it another shot.  I swear – for every 10 inches I stitched, 9 of them were missed.  It was incredibly frustrating to constantly rip out and reset.  So I went back to my pinning method and using my stitch in the ditch foot: This worked out pretty well; I did have a couple of misses here & there, but it was significantly less than with the Martelli foot.  So many people swear by this foot but I haven’t been able to get it to work for me yet; I think because I like really full bindings, I use a 3/8″ seam allowance when attaching 2-1/2″ binding by machine, and I think that may not be enough leeway for the Martelli foot to stitch down & consistently catch the back.  I’ll have to try this again, but it’s too late for this project since all the bindings have been stitched at 3/8″. In the end, I got 6 of them bound, but there are just too many of them to finish and I want to move on to something else.  I don’t expect these will be UFOs for long, but I really wished I could have finished them before the end of the year. And so ends 2010! Happy quilting!

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